The genre-defying sonics of Flying Lotus blew my mind, the heart-melting soulful reggae Fat Freddy's Drop left me in tears, and the bouncy blissful glitches of Four Tet had me captivated. And that's just the acts beginning with 'F'.
But my moment of the weekend was with Mary Anne Hobbs. Despite leaving her Radio 1 show last week, she is still the undisputed Queen of All Things Electronic and Experimental. She proved her acumen atop the most spellbinding stages I've seen - I can only describe it as an exploding dystopian tripod.
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